[Name]
Life is beautiful
(Vita è bella, La )
[Category]
Classical,Comedy,
Romance
[Language]
Italian
[Director]
Roberto Benigni
[Producer]
Gianluigi Braschi,
Elda Ferri
[Cast]
Roberto Benigni,
Nicoletta Braschi,
Giorgio Cantarini,
Giustino Durano,
[Story][Wikipedia Ref.]
The first half of the movie is a whimsical, romantic comedy and often slapstick. Guido (Roberto Benigni), a young Italian Jew, arrives in Arezzo where he sets up a bookstore. Guido is both funny and charismatic, especially when he romances Dora (Italian, but not Jewish; portrayed by Benigni's actual wife Nicoletta Braschi), whom he steals – at her engagement – from her rude and loud fiancé. Several years pass, in which Guido and Dora have a son, Joshua (written Giosué in the Italian version; portrayed by Giorgio Cantarini). In the film, Joshua is around five years old. However, both the beginning and ending of the film is narrated by an older Joshua.
In the second half, Guido, Guido's uncle Eliseo, and Joshua are taken to a concentration camp on Joshua's birthday. Dora demands to join her family and is permitted to do so. Guido hides Joshua from the Nazi guards and sneaks him food. In an attempt to keep up Joshua's spirits, Guido convinces him that the camp is just a game – a game in which the first person to get 1,000 points wins a tank. He tells Joshua that if you cry, complain that you want your mother, or complain that you are hungry, you lose points, while quiet boys who hide from the camp guards earn points. He convinces Joshua that the camp guards are mean because they want the tank for themselves and that all the other children are hiding in order to win the game. He puts off every attempt of Joshua ending the game and returning home by convincing him that they are in the lead for the tank. Despite being surrounded by rampant death and people and all their sicknesses, Joshua does not question this fiction both because of his father's convincing performance and his own innocence.
Guido maintains this story right until the end, when – in the chaos caused by the American advance drawing near – he tells his son to stay in a sweatbox until everybody has left, this being the final test before the tank is his. After trying to find Dora, Guido is caught, taken away, and is shot to death by a Nazi guard, but not before making his son laugh one last time by imitating the Nazi guard as if the two of them are marching around the camp together. Joshua manages to survive, and thinks he has won the game when an American tank arrives to liberate the camp, and he is reunited with his mother.
[Awards]
Grand Prize of the Jury at Cannes Film Festival in 1998
Academy Awards for Best Music, Original Dramatic Score and Best Foreign Language Film
Won 3 Oscars.
Around 52 wins
27 nominations
[Links]
http://www.imdb.com/title/tt0118799/
http://en.wikipedia.org/wiki/Life_Is_Beautiful
http://artsandfaith.com/t100/2005/entry.php?film=95
Showing posts with label Romance. Show all posts
Showing posts with label Romance. Show all posts
Wednesday, November 12, 2008
Tuesday, November 11, 2008
Ore Kadal (The Sea Within) - 2007 Malayalam Classic
[Name]
Ore Kadal
(The Sea within)
[Category]
Classic, Romance
[Language]
Malayalam
[Director]
Shyamaprasad
[Producer]
Vindhayan
[Cast]
Mammotty,
Narain,
Meera Jasmine,
Ramya Krishnan
[Story] [Wikipedia Ref.]
Ore Kadal is based on Sunil Gangopadhyay’s novel Hirak Deepthi. Dr. S.R. Nathan (Mammootty) is a world-renowned professor of Economics. A theorist to the core, he always harps on his pet topics of poverty and developmental issues that concern the third world. He is a loner who hits the bottle. Not a womanizer though, in his own terms, he loves their company.
But his close friend Bella (Remya Krishnan) is more practical. She tries to identify herself with some of the stark realities of life.
Deepthi (Meera Jasmine) is a housewife who stays in the same apartment complex with her husband (Narain) and son. Her husband is on the lookout for a job. On his persuasion, Deepthi approaches Nathan.
Their chance encounter ends up in a complex relationship. But Nathan is unperturbed and quite unmindful of his ways. While Deepthi gets a feeling of guilt, Nathan just shoos it away. In fact, he is working on a book on middle class attitudes and notions. Yet, when confronted with real questions, Nathan loses ground — a reference to the pseudo-intellectual image.
Here, the director closely examines the disturbing relationship between two individuals. Deepthi is not able to pull herself away from Nathan.
The undercurrents in the minds of Deepti and Nathan, their tormented souls turbulent as the sea are captured on frame dexterously by Alagappan, the cameraman. Though the film does not give any direct message, it does hint at what makes or breaks a relationship.
[Awards]
Kerala State Award 2007
Dubai Amma Awards 2007
NETPAC Award for the Best Malayalam Film
Fipresci Award for the Best Malayalam Film
Film Critics Award 2007
Sify Award 2007
John Abraham Award for Ore Kadal
Bollywood & Beyond 2008 (Stuttgart, Germany): Audience Best Film Award for Ore Kadal
[Links]
http://en.wikipedia.org/wiki/Ore_Kadal
http://www.imdb.com/title/tt0997170/
http://www.shyamaprasad.info
Ore Kadal
(The Sea within)
[Category]
Classic, Romance
[Language]
Malayalam
[Director]
Shyamaprasad
[Producer]
Vindhayan
[Cast]
Mammotty,
Narain,
Meera Jasmine,
Ramya Krishnan
[Story] [Wikipedia Ref.]
Ore Kadal is based on Sunil Gangopadhyay’s novel Hirak Deepthi. Dr. S.R. Nathan (Mammootty) is a world-renowned professor of Economics. A theorist to the core, he always harps on his pet topics of poverty and developmental issues that concern the third world. He is a loner who hits the bottle. Not a womanizer though, in his own terms, he loves their company.
But his close friend Bella (Remya Krishnan) is more practical. She tries to identify herself with some of the stark realities of life.
Deepthi (Meera Jasmine) is a housewife who stays in the same apartment complex with her husband (Narain) and son. Her husband is on the lookout for a job. On his persuasion, Deepthi approaches Nathan.
Their chance encounter ends up in a complex relationship. But Nathan is unperturbed and quite unmindful of his ways. While Deepthi gets a feeling of guilt, Nathan just shoos it away. In fact, he is working on a book on middle class attitudes and notions. Yet, when confronted with real questions, Nathan loses ground — a reference to the pseudo-intellectual image.
Here, the director closely examines the disturbing relationship between two individuals. Deepthi is not able to pull herself away from Nathan.
The undercurrents in the minds of Deepti and Nathan, their tormented souls turbulent as the sea are captured on frame dexterously by Alagappan, the cameraman. Though the film does not give any direct message, it does hint at what makes or breaks a relationship.
[Awards]
Kerala State Award 2007
Dubai Amma Awards 2007
NETPAC Award for the Best Malayalam Film
Fipresci Award for the Best Malayalam Film
Film Critics Award 2007
Sify Award 2007
John Abraham Award for Ore Kadal
Bollywood & Beyond 2008 (Stuttgart, Germany): Audience Best Film Award for Ore Kadal
[Links]
http://en.wikipedia.org/wiki/Ore_Kadal
http://www.imdb.com/title/tt0997170/
http://www.shyamaprasad.info
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